Last breakfast with Jed at Le Pain Quotidien (Taken with instagram)

Last breakfast with Jed at Le Pain Quotidien (Taken with instagram)

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(by Hilibos)

(by Hilibos)

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Their friend and minister rapped/recited a poem about their love story. I cried.

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This happened to me, except I was going down. It’s not funny when it happens to you!

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by fromme-toyou

by fromme-toyou

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bekthewreck:

:) (by ole:))

bekthewreck:

:) (by ole:))

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I love you also means I love you more than anyone loves you, or has loved you, or will love you, and also, I love you in a way that no one loves you, or has loved you, or will love you, and also, I love you in a way that I love no one else, and never have loved anyone else, and never will love anyone else.

Jonathan Safran Foer (via atomos) +
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Midnight in Paris <3

Midnight in Paris <3

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fuckyeahtattoos

fuckyeahtattoos

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untitledfilmblog:

“Nostalgia is a trap, there’s no question about that. It’s based on the idea that now is always terrible. So there’s always a sense that if you could have lived in a different time, things would have been more pleasant. One thinks back, for instance, to Gigi, and you think, well, this is Belle Époque Paris, they have horses and carriages and gas lamps and everything is beautiful. Then you start to realize that if you went to the dentist, there was no Novocain, and that’s just the tip of the iceberg. Women died in childbirth — there were all kinds of terrible problems. 
Naturally, if I’m sitting here now, and they’re dying in Libya and the economy is going under and we have a terrible split in the country and they’re patting us down in airports, I think to myself, ‘God, wouldn’t I be better off sitting at Maxim’s in the 1890s?’ But it doesn’t really work that way, and that’s how nostalgia trips you up. For movies it’s great! In movies, you can create the past as you want to see it. But I do think that’s the sad note in my movie, that everybody doesn’t want to be where they are.”
- Woody Allen

untitledfilmblog:

“Nostalgia is a trap, there’s no question about that. It’s based on the idea that now is always terrible. So there’s always a sense that if you could have lived in a different time, things would have been more pleasant. One thinks back, for instance, to Gigi, and you think, well, this is Belle Époque Paris, they have horses and carriages and gas lamps and everything is beautiful. Then you start to realize that if you went to the dentist, there was no Novocain, and that’s just the tip of the iceberg. Women died in childbirth — there were all kinds of terrible problems.

Naturally, if I’m sitting here now, and they’re dying in Libya and the economy is going under and we have a terrible split in the country and they’re patting us down in airports, I think to myself, ‘God, wouldn’t I be better off sitting at Maxim’s in the 1890s?’ But it doesn’t really work that way, and that’s how nostalgia trips you up. For movies it’s great! In movies, you can create the past as you want to see it. But I do think that’s the sad note in my movie, that everybody doesn’t want to be where they are.”

- Woody Allen

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Åresjön (by Ola Harström)

Åresjön (by Ola Harström)

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LOMO - Fashion (by songglod)

LOMO - Fashion (by songglod)

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